Art A low relief in alabaster, "Winged Protective Deity" is Assyrian but is also evocative of Babylonian and Zoroastrian art. It is from northern Iraq and located at the Northwest Place of Calakh. The stele is dated 883-859 BCE. Cupid (Eros) is a Roman imperial sculpture in the round from around 190 CE. It stands 63 centimeters in height, about two feet. The medium is stone but the supports are bronze.

Venus in Art Introduction to Venus and Aphrodite: Throughout history, Venus has long been a source of inspiration for artists. Her representation of love and beauty has been captured in various mediums, from the visual arts of paintings and sculpture to music and drama; Venus has served as a universal symbol of beauty and has embodied the secrets of love. Central to understanding how artists have been able to use her as

Relief Fragment of a Winged Genius (from the Palace of Assurnasirpall II at Nimrud) Iraq Limestone H.90 x W.41 in Background Information on the Culture The Assyrian kings ruled in Mesopotamia from the ninth through the seventh century B.C. They always created an image of themselves as the most powerful, divine and sovereign monarchs. In order to show their power they decorated their palaces with huge sculptures which portrayed their power, authority and wealth. Subject

Likewise, the dead were honored with elaborate preparation rituals to send them off into the next, permanent world of death. They were incased in enormous preservative monuments as well as several layers of coffins. Because of this elaborate nature of death ritual, and their focus on religious rituals, Egyptians were often credited by the Greeks for originating their religion, as "the Egyptians, they went on to affirm, first brought

Fra Filippo Lippi - Annunciation (c. 1445 Wood, 175 x 183 cm San Lorenzo, Florence) Introduction Annunciation (c. 1445 Wood, 175 x 183 cm San Lorenzo, Florence) remains one of Fra Filippo Lippi’s most prominent artworks and also one of the most well-known paintings of the 1440s. This text presents an argument to the effect that as far as the painting’s perspectival detail is concerned, the present piece remains Lippi’s most gratifying

Fra Filippo Lippi - Annunciation (c. 1445 Wood, 175 x 183 cm San Lorenzo, Florence) Introduction Annunciation (c. 1445 Wood, 175 x 183 cm San Lorenzo, Florence) remains one of Fra Filippo Lippi’s most prominent artworks and also one of the most well-known paintings of the 1440s.  This text presents an argument to the effect that as far as the painting’s perspectival detail is concerned, the present piece remains Lippi’s most gratifying